![]() I relate to a corresponding physical feeling. Everything I teach, from shaping a phrase, creating a color or bouncing the bow, We take it for granted that as musicians we listen to ourselves,īut in reality our brains and hearts are filled with much that can interfere with both good physical habitsĪnd true quality listening. They are the path, the only way to mastery. Your growth as a player is synonymous with developing your physical and aural awareness. Using CelloBello Video Lessons The immense satisfaction that comes from productive practice,įrom the process of striving and acheiving, is possible for everyone. My greatest joy now is to help those younger than me in their own musical pursuits. How do we turn insights, feelings, mood, character into sound? In these lessons, I try to give you the tools ofĮxpression - practical, "how to" instrumental advice that will help you create beauty and meaning through your Learning to perform demands discussion of the philosophical, the psychological, the intuitive. A successful performance transmits a message, affects, moves an audience. Than 3000 concerts, from 50 joyous years of performing and teaching. And I add my own perceptions from having played more To pass their knowledge and inspiration on to you. Greatest cellists of the 20th century as my mentors, my teachers. Lent 6:02ġ4 / L’Arbre des songes (Violin Concerto) : Interlude 3 1:20ġ5 / L’Arbre des songes (Violin Concerto) : IV.Hello and Welcome! As a kid, I was unbelievably fortunate to have had five of the Vif 1:48ġ2 / L’Arbre des songes (Violin Concerto) : Interlude 2 1:56ġ3 / L’Arbre des songess (Violin Concerto) : III. Librement 4:35ġ0 / L’Arbre des songes (Violin Concerto) : Interlude 1 2:39ġ1 / L’Arbre des songes (Violin Concerto) : II. Vivace 2:51Ġ9 / L’Arbre des songes (Violin Concerto) : I. Andante sostenuto 2:47Ġ8 / Trois Strophes sur le nom de Sacher for unaccompanied cello : III. ![]() Un poco indeciso 3:39Ġ7 / Trois Strophes sur le nom de Sacher for unaccompanied cello : II. Hymne (Allegro) 4:32Ġ6 / Trois Strophes sur le nom de Sacher for unaccompanied cello : I. Miroirs (Lent & extatique) 5:12Ġ5 / Cello Concerto (Tout un monde lointain) : V. ![]() Houles (Large & ample) 4:15Ġ4 / Cello Concerto (Tout un monde lointain) : IV. Regard (Extrêmement calme) 6:07Ġ3 / Cello Concerto (Tout un monde lointain) : III. ![]() Enigme (Très libre & flexible) 6:35Ġ2 / Cello Concerto (Tout un monde lointain) : II. All three works demand a highly gifted soloist: Tout un monde lointain (the title is from a poem by Baudelaire) and the Trois strophes were written for Mstislav Rostropovich, the violin concerto for Isaac Stern all three display Dutilleux’s rich poetic gifts, approachable, imaginative and intensely beautiful.Ġ1 / Cello Concerto (Tout un monde lointain) : I. The recording, made in the presence of the composer, also includes the Trois Strophes sur le nom de Sacher for solo cello. Truls Mørk and Renaud Capuçon perform two great concertos by Henri Dutilleux, the mysterious and dreamlike Tout un monde lointain for cello and orchestra, written in 1970, and the lyrical violin concerto L’Arbre des songes, from 1985. Truls Mørk, Renaud Capuçon, Myung-Whun Chung, French Radio Philharmonic Orchestra – 2002
0 Comments
Leave a Reply. |